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Up to Here

Released: August 8, 1989

Throughout the fall of 1988 we hoped our contract situation would be resolved and we could get into a studio to record our first full length album. By the end of the year we were signed and introduced to Don Smith who had been given some of our pre-production tracks and was ready and willing to produce. At first we did not know who Don was but his recent credits impressed us [Tom Petty, Keith Richards, Roy Orbison and The Travelling Wilburys]. We ended up at Ardent Studios in Memphis as Don liked Ardent��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½?��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½?��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¢??s facilities and had previously booked time in January 1989 for a Steve Earl project that was delayed. Hopefully you realize how cool it was to be recording in Memphis the home of the Blues, Soul and Rock. Local journalist and musician Rick Clarke took us under his wing and give us a thorough history of Memphis music from Stax/Volts days through Big Star.

We��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½?��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½?��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¢??d arrived at Ardent with 14 solid songs. While in Memphis we wrote 38 Years Old and Opiated and a few others that don't appear on UTH. We had already been playing She Didn��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½?��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½?��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¢??t Know, When the Weight Comes Down and I��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½?��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½?��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¯��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¿��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���½��?�¯�¿�½���¯���¿���½???��?�¯�¿�½���¯���¿���½??��?�¯�¿�½���¯���¿���½?��?�¯�¿�½���¯���¿���½��?�¯�¿�½��?���¢??ll Believe In You throughout 1988 so we had a fairly good idea how we wanted them to sound on record. We had plenty of time to get to know to know Don, the studio and Memphis. We had five and a half weeks of studio time booked. Unlike our EP sessions when there was no time to get the sound just right we had plenty of to time refine the music when necessary for the songs on Up To Here. Don and Bruce Barris, the old pros in the studio, with the rookies made invaluable suggestions that made Up To Here better. Don Smith continues to be a positive influence on our recording projects. He has also assisted us in various capacities with Road Apples [1990], Live Between Us [1997], and Phantom Power[1998].



Album Credits

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